![]() ![]() These tones have a long history in music theory and scientific research, and are still the object of disagreement and debate. Īmacher worked extensively with a set of psychoacoustic phenomena known as 'auditory distortion products' put simply: sounds generated inside the ear that are clearly audible to the hearer. ![]() She also produced, alongside other works, "Torse" for Merce Cunningham from 1974 to 1980. The collaboration resulted with a storm soundtrack for Cage’s multimedia "Lecture on the Weather" (1975) and a work on sound environment "Close Up" for a 10-hour solo voice work for Cage "Empty Words" (1978). She was invited while doing a fellowship at the Harvard University and the Massachusetts Institute of Technology by John Cage to work on several projects. Amacher's early work is best represented in three series of multimedia installations produced in the United States, Europe, and Japan: the sonic telepresence series, "City Links 1–22" (1967– ) the architecturally staged "Music for Sound-Joined Rooms" (1980– ) and the "Mini-Sound Series" (1985– ) a new multimedia form she created that is unique in its use of architecture and serialized narrative. By using many diffuse sound sources (either not in the space or speakers facing at the walls or floors) she would create the psychoacoustic illusions of sound shapes or "presence". ![]() Her major pieces have almost exclusively been site-specific, often using many loudspeakers to create what she called "structure borne sound", differentiating it from "airborne sound". (Neuhaus himself was involved with the original 1967 work in Buffalo.) A common feature was the use of dedicated, FM radio quality telephone (0–15,000 Hz range) lines to connect the sound environments of different sites into the same space, a very early example of what is now called " telematic performance" which preceded much more famous examples by Max Neuhaus, amongst others. There were 21 other pieces in the "City Links" series, and more information can be found in the brochure for an exhibition on the series by Ludlow 38 in NYC (available on their website). While in residence at the University of Buffalo, in 1967, she created City Links: Buffalo, a 28-hour piece using 5 microphones in different parts of the city, broadcast live by radio station WBFO. Subsequently, she did graduate work in acoustics and computer science at the University of Illinois at Urbana-Champaign. She also studied composition in Salzburg, Austria, and Dartington, England. While there she studied composition with George Rochberg and Karlheinz Stockhausen. Amacher left Kane to attend the University of Pennsylvania on a full scholarship where she received a B.F.A in 1964. As the only child, she grew up playing the piano. She is known for working extensively with a family of psychoacoustic phenomena called auditory distortion products (also known as distortion product otoacoustic emissions and combination tones), in which the ears themselves produce audible sound.Īmacher was born in Kane, Pennsylvania, to an American nurse and a Swiss freight train worker. Less than 1% of attendees have faced evictionġ6–25-year-olds that could benefit from financial knowledge and skills, and how to maintain current or future tenancies (e.g.Maryanne Amacher (Febru – October 22, 2009) was an American composer and installation artist.Up to £2.92 social value for every £1 spent.32% reduction in young people failing to keep up with priority payments.Energy Efficiency – coping with rising living costs.Benefits – entitlements & Universal Credit.Budgeting and spending habits – consumer rights.Banking – accounts, saving, credit cards and how to borrow safely.Avoiding eviction – paying household bills and rent on time. ![]() Tenancy agreements – rights & responsibilities and cost of moving in. ![]()
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